Further than that —
Nor stop to play with the Hay —
Nor threaten a Hat —
He's a transitive fellow — very —
Rely on that —
If He leave a Bur at the door
We know He has climbed a Fir —
But the Fir is Where — Declare —
Were you ever there?
If He brings Odors of Clovers —
And that is His business — not Ours —
Then He has been with the Mowers —
Whetting away the Hours
To sweet pauses of Hay —
His Way — of a June Day —
If He fling Sand, and Pebble —
Little Boys Hats — and Stubble —
With an occasional Steeple —
And a hoarse "Get out of the way, I say,"
Who'd be the fool to stay?
Would you — Say —
Would you be the fool to stay?
F494 (1862) J316
This delightful anthropomorphism of the wind is full of rhymes and fun. The wind may be here or there, come "from the Orchard" or from farther away; may climb trees like a child and leave pine cones at the door as a momento; may go out with the workers in the field and pick up the odor of clover; and may get up to all kinds of mischief. In the end, though, he is not to be trifled with. The gust that blows off a boys hat can turn into a gale that takes the steeple off a church. Would you be fool enough to stand in his path?
Each stanza is full of rhyme, and that contributes to the playful tone. In the first stanza: today, play, hay, very; and that, hat, and that. In the second, Bur, Fir, Fir – which is related to door, Where, Declare, and there.The third stanza has Odors, Clovers, and Mowers –related to Ours and Hours; and then Hay, Way, and Day. In the fourth, Dickinson gives us Pebble, Stubble, Steeple; and way, say, stay, Say, and stay. You've got to love a poem that rhymes Pebble, Stubble, and Steeple.
Some of the images are amusing, too, such as the wind threatening a hat (Johnson's version has it joggling a hat, which isn't as amusing), or occasionally flinging a steeple along with the usual sand and hats.
|Scything Hay, near Bowland Forest, UK|
My favorite line: "sweet pauses of Hay." It doesn't make literal sense (and I have no idea how this reads to those of you using translations), but it captures the rhythm of the mowers scything the meadow, accompanied by the sweet smell of cut grass and clover.