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01 April 2026

Fame's Boys and Girls, who never die

Fame's Boys and Girls, who never die
And are too seldom born


    -Fr892, J1066, 1865


The amazing thing about this poem is that Emily herself could be one of the children of fame it refers to. The proof, as they say, is in the pudding. In a kind of mind-bending recursivity, the poem validates itself by still existing.

In the inscrutable mystery of her poems, in their Truth and Beauty, Dickinson, miraculously, seems to still be alive. And it's true that "seldom born" are the poets that have achieved her level of literary fame. 

The achievement of this poem is made even more remarkable in the sense in which it seems to know its own fate. It doesn’t surprise me that Dickinson knew this about herself, but it’s still uncanny. It’s like Babe Ruth pointing to the bleachers in the fifth inning of Game 3 of the 1932 World Series  before hitting the game winning home run to deep center field.

“Called Shot” by Robert Thom

Another intriguing thing about this poem is that we don't know if it is complete, or unfinished. Thomas Johnson describes it as being a ‘pencilled scrap, a jotting perhaps intended for future use.’ Was it? Or is it complete as is? What do you think? 

There are hundreds of Dickinson lines that would be remembered even if they just came down to us as fragments. Dickinson shares this in common with another of Fame's Girls, Sappho. Sappho's poetry has such an aura to it that the few fragments of it we have feel eternal. 

If it is a fragment, just a beginning, we are left are to wonder what's next.

I found an article online by David Lehman in which he talks about a poetry contest in which poets were asked to use these lines as the first two of a quatrain. Lehman writes,

"While this poem can be read as a complete work, the poet Mitch Sisskind acted on the assumption that it represents the beginning of a poem that Dickinson intended to finish but never did. When The Best American Poetry blog ran an “Emily Starts, You Finish” contest in 2008, Sisskind added these two lines:

Their epitaphs—memorialized—
Cut in water—frozen in stone."


That's a great image, Mitch Sisskind. Anybody else want to give it a try? (minus any help from AI, please.)

Here’s my try,

Fame's Boys and Girls, who never die
And are too seldom born—

Still can’t do what you can do
within some cloud of form.


Okay, now you.


      -/)dam l)eGraff


P.S. All that said about Emily's future fame, my best guess is that this poem was written to Sue and is a declaration of "eternal love" and an acknowledgment of its rareness. I get this idea, in part, because of the poem following this one in the Franklin order. See the next poem.

7 comments:

  1. I happened to catch an interview with Courtney Love, years ago on TV, in which she was asked if Kurt knew how great he was.

    “Oh yeah,” she said, “He knew he was the shit.”

    I’ve always remembered that. Fame’s Boys and Girls often know, I think, that they’re on to something new.

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  2. Fame's Boys and Girls, who never die
    And are too seldom born—
    Talk secretly to each other's Ears
    through the cracks in Time's Walls

    that's my try, but english is not my first language, so maybe there are mistakes... The meaning is that all the greats over the centuries communicate among them, like giants far taller than the rest of humanity that talk to each other despite the centuries between them.

    And we can imagine such a communication both in the personal level and in the level of their works. For example in the personal level: Shakespeare reads Seneca and feels love and admiration for him. And, knowing his value, he realises that in the future some brilliant men will feel the same love for him and also that in the future there will be another one like him, very admirable and amiable. So Dickinson reads Shakespeare and feels love and admiration for him. Shakespeare has predicted that love and also the existence of very beautiful souls in the future that will think about him. So we have a two-way communication!!!

    Another example about the communication of the work. Beckett reads Shakespeare and is influenced by him. Also he creates Waiting for Godot and we, having read Waiting for Godot, we then acquire a new perspective, a new understanding of the scenes of the mad Lear and the fools in the wilderness and of their funny and kind of mad dialogues. So in a way Beckett has also influenced Shakespeare's work!!!! So another two-way communication!!!

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    Replies
    1. This is an interesting thought, the two-way communication you mention. I love how it dispenses with the direction of time. That’s very true to Dickinson.

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    2. Yes, I agree with Tom, it's an interesting thought. I like the lines you add. It reminds me of the poem, Fr448, "I died for Beauty," which I have always read as a conversation between Dickinson and Keats. It contains the lines,

      And so, as Kinsmen, met a Night —
      We talked between the Rooms —

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  3. But mind the wilds of paradise---
    For sign of ancestor

    Or something like that. ;-P

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  4. They walk upon the floor of Sea
    Where — silver Fins — do earn

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