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29 February 2024

I live with Him — I see His face —


I live with Him — I see His face —
I go no more away
For Visitor — or Sundown —
Death's single privacy

The Only One — forestalling Mine —
And that — by Right that He
Presents a Claim invisible —
No wedlock — granted Me —

I live with Him — I hear His Voice —
I stand alive — Today —
To witness to the Certainty
Of Immortality —

Taught Me — by Time — the lower Way —
Conviction — Every day —
That Life like This — is stopless —
Be Judgment — what it may —


  -F698, J463, Fascicle 32, 1863


I read one analysis of this poem that takes the “Him” here as a representative of death, like the “He” in the poem, “Because I could not stop for death/ He kindly stopped for me.” This seems like a stretch. David Preest writes that “this poem shows Dickinson’s complete dependence on her lover.” This seems more likely, though I wouldn’t use the word “dependence”. For a general reader, knowing nothing of Dickinson’s life, the capitalized Him would point toward the usual designation for Christ. All of these are possible. It is safe to presume the “Him” in this poem is the same as the “Master” of the previous poem. Dickinson’s blurring of the lines between God and lover is part of the mystique of her poetry.

As intrigued and fascinated as I am by all of this, I want to read the poem outside of this biographical/religious realm and show the ways in which these poems may be relevant to the reader, i.e. myself. 

The first thing I find noteworthy in this poem is the idea that the poet is done with visitors AND sundown. To be done with visitors is extreme, but sundown too? No more night time? Is this because He shines so brightly that there is no more darkness? Or is it because the poet can no longer sleep in her agitated state?

It would seem the only thing that could forestall the poet’s seeing "Him" is death. The syntax gets tricky here. “Death's single privacy/ The Only One — forestalling Mine —” What does “mine” refer to? Is it referring back to death? That’s what I thought at first, but it doesn’t make sense that death would forestall death, unless the second death is symbolic. Does “mine” refer back to “privacy”? This makes more sense. Death’s single privacy is the only thing that could get in the way of the poet’s (double) privacy with Him.

And what does the “And that…” beginning the next stanza refer back to? The forestalling? The privacy? Death? I think it is likely the privacy, which helps make sense of the "invisible claim" that “He” has on the poet. This is followed up by “No wedlock granted me”. It seems because there was no earthly marriage for the poet, then “He” has a claim. This might lead us to believe that Christ is the Groom. Though, to return to biography for a moment, there is one narrative that says Dickinson made a pact to marry Charles Wadsworth in heaven. I learned this idea from faithful Prowling Bee reader Larry B. See his comment on F686 for more on this. This reading certainly dovetails with the poem, although it is harder to reconcile with a non-biographical personal reading.

Non-biographically, I can make sense of the Christ reading, or, alternatively, the idea of an earthly love that shows you a taste of immortal love. These both fit well for the third stanza here.

I grew up with the hymn “In the Garden” and the lyrics “He walks with me and He talks with me”, so that’s what I hear in the first line of the stanza. “I live with Him — I hear His Voice —”. That hymn was written in 1912, so Dickinson wouldn’t have been thinking of it, but given the fact that Dickinson writes in standard hymn meter, it is hard not to hear some resonance. Also the idea of being a “witness” is Christian parlance too. But again, Dickinson often uses religious language to speak of earthly love, so who knows?

The part that does resonate with me though is when the poet says, “I stand alive — Today —/To witness to the Certainty/ Of Immortality”. This focus on immortality, which is felt in the NOW, or “— Today —”, is where I, as a reader, find myself included. Here is a poet, one I deeply admire, who stood witness “— Today —” to the CERTAINTY of immortality. 

This brings us to the idea of what exactly Dickinson means by immortality. I would posit that you could make a life study out of this question. Dickinson’s poems and letters are overflowing with the idea. The following quotes are all taken from her letters, and give us a feel for the range.

"No heart that break but further went than immortality."

"Emerson's intimacy with his "Bee" only immortalized him."

"The 'infinite beauty' of which you speak comes too near to seek."

"Show me eternity, and 
I will show you Memory-
Be you - While I am Emily -
Be next - what you have ever been -
Infinity."

"There is no first, or last, in Forever- It is Centre, there, all the time."

"The risks of immortality are perhaps its charm."

"A letter always seemed to me like Immortality, for is it not the Mind alone, without corporeal friend?"

"Dear friend, can you walk, were the last words that I wrote her. Dear friend, I can fly- her immortal reply."

"An hour for books those enthralling friends the immortalities."

"The immortality of flowers must enrich our own."

"Amazing human heart-
a syllable can make
to quake like jostled tree-
what Infinite - for thee!"

Each of these quotes are worthy of contemplation and give us a new spin on the idea of immortality. And there are dozens more like this in the poems. In another letter Dickinson says of another writer (though it might as well be herself), "It may be she came to show you Immortality." This echoes the "I stand alive today to witness to the certainty of immortality" that we find in this poem. It may be Dickinson came to show us immortality.

The last stanza also resonates with me. Since the higher way, “immortality”, is timeless, we can only learn it the lower way, since we are creatures of time.

The Certainty of Immortality is...
"Taught Me — by Time — the lower Way —
Conviction — Every day —
That Life like This — is stopless —
Be Judgment — what it may —”

When you start reading Dickinson as a witness to immortality, then the biographical details are secondary (even if they are endlessly fascinating). What I find meaningful is that there is a certainty of Immortality that was taught to Emily by Time (by Time!), and that therefore it can be taught to us too; that life like “This” is stopless. Be judgment what it may. I take that "This" to include all that can be found in the above quotes, something tied into to the heart, to heart break, to flowers, bees, memory, books, something that is risky, something that is there all the time, and so on. Or to quote my favorite Dickinson lines about eternity, also from a letter, “The Life we have is very great. The Life that we shall see Surpasses it, we know, because It is Infinity, But when all Space has been beheld And all Dominion shown The smallest Human Heart's extent Reduces it to none.”

-/)dam Wade l)eGraff


My daughters Sofia and Lucia in front of
Banksy's mural in Queens, moments 
before it was defaced. 


2 comments:

  1. Somehow I don't like that line Death' single privacy. I find it very jarring in an otherwise beautiful poem. The words I live with Him I hear him, I look at Him can be for anyone we love or the divine. I used to feel like that when my babies were born. Living for them to the exclusion of any other distraction. And life being stopless in moments with them. Thanks. Found your daughters adorable by the way

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  2. Hmmm. The window-washer sponges off a graffiti word, "Eternity", and your adorable little cherubs, your genetic future, pose below, the oldest waving and pointing to vanishing "Eternity" moments before it disappears. The window-washer's squeegee, handle down and head up, also points at vanishing "Eternity". Mentally erase the squeegee's head and procreation stands proudly at attention, pointing at Eternity like a gun.

    Was the painter saying we no longer need "Eternity", we have replaced it with our own God-given tools, or are these just the ravings of an old man's dirty mind?

    There is a slight chance the photographer intentionally dipped deeply into his subconscious well as he clicked his camera and chose the photo for us TPBers. Or did his subconscious Genie do it for him? In either case, thank you, d scribe, it's been a pleasure.

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