It tried — to be a Rose —
And failed — and all the Summer laughed —
But just before the Snows
There rose a Purple Creature —
That ravished all the Hill —
And Summer hid her Forehead —
And Mockery — was still —
The Frosts were her condition —
The Tyrian would not come
Until the North — invoke it —
Creator — Shall I — bloom?
F520 (1863) J442
Just as the swan had to suffer taunts and awkwardness in "The Ugly Duckling", Dickinson's "little Gentian" fails miserably in its efforts to be a lovely rose. Poor thing – laughed at by "all the Summer." But you cannot judge a young waterfowl by its feathers nor a wildflower by its petals. The swan grows into its majestic beauty, discovering its true identity, and by the fall frosts, the humble gentian has spread all over the hills in a ravishing purple display. Take that, Summer! Hide your face and stop your mocking.
Dickinson draws the obvious moral here: While roses bloom in spring and summer, some flowers like the gentian bloom late in the year. The beauty of the gentian, its beautiful Tyrian purple blossoms, waits for the cold north wind to "invoke it" – which is an almost sacramental formulation. After most all the other wildflowers have died, the North summons the gentian to bloom.
The lovely fringed gentian photo: Tristan Loper |
It is in some ways a pity that her public blooming took place after her death, yet it may well be that the blooming of her reputation was necessarily not coincident with the blooming of her talent. Dickinson bloomed alone in her room with only a small writing table and a window facing sunset. Could she have written as she did in the spotlight of public approbation?
Lines referring to God begin and end the poem, the last line more intimate than the first. God is associated here with frost, winter and death. ED often describes a god that is indifferent ("Apparently with no surprise to any happy flower, the frost beheads it at its play in accidental power . . . for an approving God") and the creatures of his creation -- small and insignificant (Victory comes late -- . . . God keeps His Oath to Sparrows -- Who of little Love -- know how to starve"). ED's god may note a sparrow falling, but doesn't intervene.
ReplyDeleteThis poem is in line with these others. But the insignificant here -- the "little Gentian" -- has its own power, a royal purple color that shames all of nature -- a power invoked by winter and death.
It's a lovely poem.
Thanks - good references.The poet is one who blooms amid God's chill indifference, for as you suggest, she has her own power. In re-reading the poem I see the slyness in that last line. She isn't praying for permission here or being wistful (as I suggested in the above explilcation). She's announcing her readiness and potential.
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ReplyDeleteUntil its last line, ‘God made a little Gentian’ is a clever homily for children, a botanical version of red-nose Rudolf with frost instead of fog, including
ReplyDelete“It tried — to be a Rose —
And failed — and all the Summer laughed —”
Like Fringed Gentian, ED is a “Creature” of the North. “Snows” and “Frosts” remind her of the cold silence of Judeo-Christian God and stimulate her to “bloom” poems, including this one. In Line 12 ED asks a pantheistic “Creator” to get involved, “Shall I — bloom?”
Perhaps she wants a formal invitation, just for physical evidence that He exists. At any rate, bloom she did.