A
Mien to move a Queen –
Half
Child – Half Heroine –
An
Orleans in the Eye
That
puts its manner by
For
humbler Company
When
none are near
Even
a Tear –
Its
frequent Visitor –
A
Bonnet like a Duke –
And
yet a Wren's Peruke
Were
not so shy
Of
Goer by –
And
Hands – so slight,
They
would elate a Sprite
With
merriment –
A
Voice that alters – Low
And
on the Ear can go
Like
Let of Snow –
Or
shift supreme –
As
tone of Realm
On
Subjects Diadem –
Too
small – to fear –
Too
distant – to endear –
And
so Men Compromise –
And
just – revere –
F254
(1861) 283
The proud Duke of Orleans and his "bonnet" |
This
sprightly poem celebrates a woman of many faces and moods. She can adopt an
appearance and manner that would “move a Queen,” behave with the noble pride of
the Duke of Orleans – and with his “Bonnet” or crown as well. On the other hand,
she is “Half Child” and is just as easy among common folk as she is among the
gentry. She can be shyer about her appearance than the wren with it’s humble
peruke, or wig. Her hands are so tiny that a fairy would laugh at them.
We
are also told that this quixotic creature cries when alone – and frequently,
too.
Her
voice is supple: she can be low and musically hushed as a snowfall or else as
bold and strong as a ruler speaking on royal matters to his people. She is “Too
small – to fear” yet too remote, “Too distant – to endear” herself to people.
She is stuck in some odd place: people neither fear her nor have warm affection
for her. Instead she is revered – which is a distant sort of admiring respect.
Who
is this person? Could it be one of Dickinson’s friends? Could it be Dickinson
herself? We know she considered herself humble and small. We also know that she
harbored ideas about her inner royalty and divine gift of poetry.
I
think she is writing a poem about herself, mainly because of the very light
tone. The rhymes border on the humorous: Queen with Heroine; Tear with Visitor;
Duke with Peruke. The images are lightly cast as well: Heroine, Duke, Wren,
Child. It’s a rather charming portrait, no matter who the subject is. I don’t
think the poetry is worth studying except for the potential insight into the
poet’s self image.
I agree, I think this is a poem about Emily Dickinson. "Small like the wren" was she, and yet so bold. She knew she was immortal.
ReplyDeleteI love your blog. I always check it after finding one of her poems and reflecting on it first myself. Sometimes you help me understand, and sometimes you validate. Thank you!
thanks, Ellen! I only have about a thousand more poems to go...
DeleteWould her self-regard support the last line of this poem? Or is she just being ironically playful? I'm starting to miss the bees and leopards!
ReplyDeletePlayful, I would think, with some poignancy. Imagine having or needing a persona that is revered rather than being endearing -- especially if love is what you want.
DeleteThis comment has been removed by the author.
DeleteMy first association when I read "Orleans" was with Joan of Arc nicknamed "The Maid of Orléans" - by the way, also "Half Child – Half Heroine"...
ReplyDeleteYes. Why didn't I see that??!
DeleteAnother possibility I see is a songbird, perhaps a Mourning Dove ("even a tear) or Cardinal (a bonnet), or something along those lines. Did Emily ever identify herself as a bird?
ReplyDeleteYes, a wren!
DeleteSo, a bird or person more shy than herself? I also like the Joan of Arc idea, but then I'm confused about the bonnet like a duke.
DeleteAnother emily riddle poem about a hummingbird
DeleteED astonished Higginson the first time they met, August 17, 1870, when she was 39. She came down the stairs speaking in the voice of a shy little girl, and then, as he wrote his wife, exhausted him with a constant stream of consciousness. He just sat and listened.
ReplyDeleteThe poem has a veneer of playfulness, but underlying sadness pervades the ends of Stanzas 1 & 3:
“When none are near
Even a Tear –
Its frequent Visitor”
“Too small – to fear –
Too distant – to endear –
And so Men Compromise –
And just – revere –“.