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18 June 2011

"Sic transit gloria mundi"

"Sic transit gloria mundi,"
"How doth the busy bee,"
"Dum vivimus vivamus,"
I stay mine enemy!



Oh "veni, vidi, vici!"
Oh caput cap-a-pie!
And oh "memento mori"
When I am far from thee!

Hurrah for Peter Parley!
Hurrah for Daniel Boone!
Three cheers, sir, for the gentleman
Who first observed the moon!

Peter, put up the sunshine;
Patti, arrange the stars;
Tell Luna, tea is waiting,
And call your brother Mars!

Put down the apple, Adam,
And come away with me,
So shalt thou have a pippin
From off my father's tree!

I climb the "Hill of Science,"
I "view the landscape o'er;"
Such transcendental prospect,
I ne'er beheld before!

Unto the Legislature
My country bids me go;
I'll take my india rubbers,
In case the wind should blow!

During my education,
It was announced to me
That gravitation, stumbling,
Fell from an apple tree!

The earth upon an axis
Was once supposed to turn,
By way of a gymnastic
In honor of the sun!

It was the brave Columbus,
A'sailing o'er the tide,
Who notified the nations
Of where I would reside!

Mortality is fatal—
Gentility is fine,
Rascality, heroic,
Insolvency, sublime!

Our Fathers being weary,
Laid down on Bunker Hill;
And tho' full many a morning,
Yet they are sleeping still,—

The trumpet, sir, shall wake them,
In dreams I see them rise,
Each with a solemn musket
A marching to the skies!

A coward will remain, Sir,
Until the fight is done;
But an immortal hero
Will take his hat, and run!

Good bye, Sir, I am going;
My country calleth me;
Allow me, Sir, at parting,
To wipe my weeping e'e.

In token of our friendship
Accept this "Bonnie Doon,"
And when the hand that plucked it
Hath passed beyond the moon,

The memory of my ashes
Will consolation be;
Then, farewell, Tuscarora,
And farewell, Sir, to thee! 

                                                                      J2,  Fr2 (1852)

This is another valentine, this one to William Howland, a law student in her father's office and a tutor at Amherst college. It was published anonymously in the Springfield Republican, submitted by Howland, but Emily discovered it and had it removed.
        The poem revels in turning upside down the book learning of school. She begins with 'Sic transit gloria mundi" -- "Thus passes the glory of the world," but jumps immediately to "Dum vivamus vivamus"--"Let us live while we live," presenting a playful dichotomy in how we are taught to live our lives. Perhaps her own opinion is best expressed in the second line: "How doth the busy bee." From what I've read of her later work, she is very concerned with what the busy bee does--and as we saw in poem 1, what he does with the flower! 
        She is the Pied Piper, calling Adam to put down that tainted apple from Eve and go along with her to have a pippin from her own father's orchard--presumably an apple without the fatal strings. She also draws some counter-intuitive conclusions from the book learning: in the 11th stanza she says "mortality is fatal / Gentility is fine"--which seem a pair of truisms. But then she follows up with "Rascality, heroic / Insolvency, sublime" which seem paradoxical until you consider that the great heroes of Greek myth and even Western history often are rascals, that the saints are indeed insolvent. 
        The deeper paradox comes in stanza 14 where she says "A coward will remain, Sir, / Until the fight is done; / But an immortal hero / Will take his hat and run." Is she poking fun, here, at the masculine concern with reputation--that it is braver to risk scorn that a bullet?
        She writes here in iambic trimeter and makes little use of the slant rhymes that pepper her later work. It's a fun poem, but I'm still anxious to move on.

                  - Susan Kornfeld

Awake ye muses nine, sing me a strain divine

Awake ye muses nine, sing me a strain divine,
Unwind the solemn twine, and tie my Valentine!

Oh the Earth was made for lovers, for damsel, and hopeless swain,
For sighing, and gentle whispering, and unity made of twain.
All things do go a courting, in earth, or sea, or air,
God hath made nothing single but thee in His world so fair!
The bride, and then the bridegroom, the two, and then the one,
Adam, and Eve, his consort, the moon, and then the sun;
The life doth prove the precept, who obey shall happy be,
Who will not serve the sovereign, be hanged on fatal tree.
The high do seek the lowly, the great do seek the small,
None cannot find who seeketh, on this terrestrial ball;
The bee doth court the flower, the flower his suit receives,
And they make merry wedding, whose guests are hundred leaves;
The wind doth woo the branches, the branches they are won,
And the father fond demandeth the maiden for his son.
The storm doth walk the seashore humming a mournful tune,
The wave with eye so pensive, looketh to see the moon,
Their spirits meet together, they make their solemn vows,
No more he singeth mournful, her sadness she doth lose.
The worm doth woo the mortal, death claims a living bride,
Night unto day is married, morn unto eventide;
Earth is a merry damsel, and heaven a knight so true,
And Earth is quite coquettish, and beseemeth in vain to sue.
Now to the application, to the reading of the roll,
To bringing thee to justice, and marshalling thy soul:
Thou art a human solo, a being cold, and lone,
Wilt have no kind companion, thou reap'st what thou hast sown.
Hast never silent hours, and minutes all too long,
And a deal of sad reflection, and wailing instead of song?
There's Sarah, and Eliza, and Emeline so fair,
And Harriet, and Susan, and she with curling hair!
Thine eyes are sadly blinded, but yet thou mayest see
Six true, and comely maidens sitting upon the tree;
Approach that tree with caution, then up it boldly climb,
And seize the one thou lovest, nor care for space, or time!
Then bear her to the greenwood, and build for her a bower,
And give her what she asketh, jewel, or bird, or flower—
And bring the fife, and trumpet, and beat upon the drum—
And bid the world Goodmorrow, and go to glory home!

                                                                                                            J1,  Fr1 (1850)

This Valentine, written in 1850 to Eldridge Bowdoin, Emily's father's law partner, doesn't have the density and startling quality of her later poems. It is a light-hearted celebration of love and, particularly, mating, written in iambic hexameter--a meter she doesn't use much (if at all) again. I don't find the poem particularly interesting, but I do find the gay playfulness toward love ironic and sad when thinking about her mature and later years. Here she posits the whole world happily paired, except for the "cold and lone" Valentine who could have his choice of "six true and comely maidens"--including herself--"she with curling hair". 


We see icons of nature trotted out here, icons she will return to again and again: the bee and flower, wind and branches, storms walking the seashore. And she anthropomorphizes them here as she does later. We also see a glint of her sense of mortality: "Th worm doth woo the mortal, death claims a living bride..." 


Yet I find myself eager to move on to meatier works.

                
                - Susan Kornfeld