And No Man — is the One
Of all the Battles prevalent —
By far the Greater One —
No News of it is had abroad —
Its Bodiless Campaign
Establishes, and terminates —
Invisible — Unknown —
Nor History — record it —
As Legions of a Night
The Sunrise scatters — These endure —
Enact — and terminate —
Fr629 (1863) J594
In this rather cryptic poem, Dickinson contends that the interior battle waged between the Soul and the mysterious "No Man" is by far greater than the great battles fought between armies. That Dickinson wrote this during the height of the bloody Civil War underscores how seriously she takes this inner conflict.
The central question involves what Dickinson means by 'No Man'. Perhaps this is the Soul fighting with itself in some great existential conflict such as hope versus despair. More than a few of Dickinson's poems depict despair as a great foe of the Soul. While hope is "the thing with feathers" (Fr314), despair is an "imperial affliction" (Fr320). It is also, according to Christian doctrine that would have been familiar to Dickinson, the one unforgivable sin. No wonder it must be battled!
But 'No Man' may well refer to God or some divine agent or sublime force. In "He fumbles at your Soul", God "Deals One imperial Thunderbolt – / That scalps your naked soul –" (Fr477). In "I know that He exists" (Fr365), Dickinson depicts God's occasional "fond Ambush" as potentially lethal. For the Soul to hold its own against such a dangerous force would indeed entail a mighty battle.
Dickinson's use of 'Campaign', though, expands our understanding of 'Battle': It is not a single contest, but an ongoing one. Unlike Civil War campaigns, however, no battle news is ever published. No analysts will ever puzzle over strategems. Even how it begins and ends is 'Invisible' and 'Unknown'.
One expects that the analogy Dickinson draws between the Soul's campaign and the routing of Night's legions by the ascendant Sun will shed some light on the meaning of "No Man"; instead, it introduces a fundamental ambiguity.
First, the sun's victory over darkness is neither unknown nor invisible. Neither is there any doubt as to the outcome. More importantly, though, is whether the Soul is analogous to Night or to the Sun. If Night, then the soul is always scattered by the God-like Sun, its pieces enduring to fight again until some final termination. If, however, Dickinson identifies the Soul with dawn, then perhaps the battle is against the darkness of Despair, which even when routed regroups and attacks again, night after night.
Finally, that last 'terminate' adds to the ambiguity of this reading. Who or what is terminated? Interestingly, Dickinson's manuscript includes the alternate word 'dissipates' for the final 'terminate'.
Regardless, the poem leaves me with a sense of relentless battle, the action recurring and ending, both sides enduring.
I am reminded of one of Dickinson's great Gothic poems: "The Soul has Bandaged moments" (Fr360) where various stanzas portray the soul in bandaged and constrained moments when subject to assault, in moments of Escape followed by retaken moments when she is shackled and led to where "The Horror welcomes her, again". Here, too, the Soul wages desperate battle that it seems incapable of winning.